Smallville 5.09 Lexmas
Dec. 10th, 2005 06:14 amRant: I am not a fan of Christmas specials
I found this episode too much of an emotional roller-coaster to take in all at once. The coupling of a dark Lex-centric plot with a twee Christmas stereotype plot resulted in a lot of unhappy justapositioning for me. Here’s the rant, people: Santa Claus should not exist in the Smallville universe! What were TPTB *on* when they wrote this? Please tell me it was WB-imposed, I am begging you. Somehow I could forgive the Lexana elements far more easily than Chloe’s ‘maybe he is real…’ line and I am experiencing a lot of rage against Clark for sitting on a rooftop with a drunk old pseudo-Christian myth figure while his nemesis was taking one more step into darkness. Rant over. (I realise I’m probably alone on this one but Lex doesn’t deserve his plot squeezed in amongst the tinsel and gingerbread, damn it!)
Rebirth and the relinquishing of power
Each season, Clark and Lex are paralleled in their journeys towards their future personas. These journeys involve recurring twin rebirths, and the Season 5 rebirths are linked to letting go the idea of leading a simple ‘normal’ life. Clark experienced life without powers before his death in Hidden. In Lexmas, Lex gets a taste of a life without Luthor power and wealth. Unlike Clark, he doesn’t experience this in real life, but through a dream vision. Symbolically they are both shot in the chest and their rebirth after this event results in the death of the possibility for simple, untarnished happiness.
For both Clark and Lex, a normal life includes a perfect partner: Lana. On first viewing, I was extremely uncomfortable with Lana being attributed such a key role in pushing Lex into darkness. However, there is part of me that appreciates that she works well as an iconic figure holding out the hope of love and acceptance. Both Clark and Lex view/treat her this way, even though she rebels against both of them in real life.
Lillian and alternate reality
At first Lex reacts to his vision with shock and disbelief. It is Lillian that guides him through it, insisting on its reality and asserting that it can come true if he makes the right choices. Lex sees Lillian in a mirror: she (and the vision that accompanies her) are one reflection of Lex, an alternate Lex to the one he’s developed in his real life. Lillian has been absent most of Lex’s life and the affects of her absence are hard to gauge. Certainly Lionel has gained much control over his son, shaping him in his image. If Lillian is read as a balancing force to Lionel’s parental control, she represents what Lex could have been. While Lex has embraced his current persona, he still has regrets he has to let go of and these surface within the vision.
Freedom
While initially frightened by the vision, Lex gradually relaxes, and finds joy and freedom in this alternate life. At first he seems to think he can find a way out of the vision: when he sees Clark and Chloe he rushes up to them (most obviously to Clark) saying ‘you have no idea how happy I am to see the two of you’. He expects them to return him to his real self. Instead, they play into the vision, with Alexander asking ‘Uncle Clark’ to make him fly. Amazed, Lex learns that Clark and he are close. He quickly moves through astonishment at Clark’s familiarity with his child and when Chloe tells him Clark’s been promoted to reporter, he gazes at him with pride. At every point, disbelief and shock are quickly overpowered by Lex’s heart, which longs for such a reality. He can buy a Christmas tree and admit it’s for himself. Furthermore, he receives external validation from Lana for this un-Luthor-like action.
Lex’s vision world is full of physical affection, which he responds to with bemusement but also delight. Only in a dream sequence is he free to do so, slowly realising that he will not be rejected. Clark welcomes him to the Christmas party with a big smile and hug, Chloe, Martha and even Jonathan embrace him, representing acceptance on a scale I suspect he’s rarely believed possible. Lana tells him that what his father rejects in him is what makes her love him the most and she embraces him tenderly in a way that clearly astonishes and delights him, so far is it from anything he experiences in his real life.
Within Lex’s vision are several threads of long-buried Lexian desires. Jonathan plays a central role in Lex’s vision, presenting Lex with a humanitarian award. He says the words we know Lex has longed to hear: ‘I couldn’t be prouder of you if you were my own son.’ Yet it has been a long time since we have seen Lex display his desire for Jonathan’s approval. He has accepted it as impossible, so when Jonathan announces Lex as ‘the finest man I ever know’, Lex is too disbelieving to even smile properly. He is similarly struck speechless when he learns that he teamed with Chloe to do an expose on Luthorcorp. That too is an echo of a past time, when Chloe stepped forward to testify against Lionel. At that time, the possibility of them working together against the corporation was very real, but it has long passed.
Lex is overwhelmed with emotion and he can only express it to Lillian, telling her ‘I can’t remember ever being this happy’. Lillian tells Lex to follow his heart, not his ambition. In Lex’s vision his emotions override his usual rational self, resulting in unusual displays of emotion and affection, yet he desires it greatly, requesting the secret of how to obtain it from Lillian. As Lex asks Lillian about the crucial decision, Clark calls out to him and he turns away from her. For me this was a chilling sequence, with Lillian vanishing to be replaced by Clark. Clark is also a figure associated with great longing for Lex, but one linked tightly to his driving ambition for control, knowledge and power. In this way, Clark is a dangerous figure, displacing the possibility that Lillian offers for the idyllic normal life.
The life offered in the vision is not the one Lex is working towards: ‘my life hasn’t turned out at all the way I’d planned and yet I’ve never been happier.’ He tells Clark that the strangest piece of the puzzle for him is how he and Lana got together. Clark tells him that he ‘became the kind of man that she could love’. Lex’s love for Lana (if it truly exists) is hard for me to understand, but I do believe that part of him longs to be this type of man: if Lana can love him, he will be rendered ‘acceptable’. Interestingly, Lex immediately assumes that this type of man is someone like Clark, while Clark himself is puzzled by this. Clark tells Lex that he offered Lana something Clark couldn’t. I think this conversation shows that Lex feels both superior and inferior to Clark. However the conversation ends with Lex expressing gratitude that despite these mysteries, they were able to remain friends: without that, his vision would be incomplete.
Heart versus ambition
Lex experiences his most intensely intimate form of love in being present at the birth of his daughter. Shortly after that, with Lana in critical condition, Lex approaches Lionel for help. The intimacy of his new family is contrasted directly with Lionel’s cold dispassion, the same dispassion that Lex is developing himself. Lex finds himself in Clark’s position of approaching a wealthy and powerful figure to ask for help, despite being out of favour. Lionel responds with a level of rejection that not even Lex has reached himself yet, although he is increasingly failing to jump at Clark’s every request.
Lionel tells him that money and power would have saved Lana: ‘don’t you realise that every decision you have made has brought you to this moment’. Lex ends up accepting the truth of his father’s message. While what he may want is to live ‘happily ever after’, he is sure that the path to happiness is money and power. This is not something he learns in his vision: it is something he already accepts as truth. It is his first recourse of action when Lana faces danger and he remains determined on this path despite all logic, since it’s clearly a fallacy that money can conquer death forever.
Lex rages against Lionel for playing god with his life, yet he wants that same power for himself: the power to prevent others from dying. He is megalomaniac in the scope of his ambition. In fact, Lionel makes the same decision that Lex made for him when he was in danger of paralysis: operate at risk. However, they make the decisions for different reasons. Lex chooses what he believes Lionel would want. Lionel chooses for himself, since, as Lex says, he couldn’t bear being the father of a cripple.
Lex’s instinct is to blame Lillian for Lana’s death. He can’t bear the pain of loss and is overpowered by grief resurfacing about the deaths of Julian and Lillian. He shows no signs of processing this pain and rejects her view of this vision as a ‘better life’, dismissing all elements of the vision in one moment of overwhelming emotion. All Lillian can tell him is that this is a life of love. In fact, her message is a powerful one, since Lex’s alternate life is still better than his real one, but Lex focuses only on the pain. In the end his vision only serves to reaffirm everything he has turned from, everything he has fought to conquer, all the emotional weaknesses that he has avoiding indulging. Lillian is still present beside Lex in the reflection at the end of the episode, just as his buried desires and unresolved grief will be carried deep inside him for the rest of his life.
Although Lex’s vision at first seems to be about Lex reaching a new decision, I actually find it more successful at showing us a snapshot of Lex’s internal life and the ways in which he is pushed and pulled between the figures of Lionel, Lillian and Clark to a point where he longs for ultimate control at all costs.
A final note
I found this episode quite difficult to process. I have not read Lex's interest in Lana as being this powerful and I still can't quite accept some of the heavy-handed dialogue in this episode. At this stage in his development, Lex has closed down and locked off from everyone around him and that means as viewers that we are not allowed as much access to his development. This episode demanded more imaginative leaps for me than any other episode. However there was much that I did enjoy about it. I'll be ok! Really I will! Whimper! *pats herself on the back for exercising admirable restraint*
I found this episode too much of an emotional roller-coaster to take in all at once. The coupling of a dark Lex-centric plot with a twee Christmas stereotype plot resulted in a lot of unhappy justapositioning for me. Here’s the rant, people: Santa Claus should not exist in the Smallville universe! What were TPTB *on* when they wrote this? Please tell me it was WB-imposed, I am begging you. Somehow I could forgive the Lexana elements far more easily than Chloe’s ‘maybe he is real…’ line and I am experiencing a lot of rage against Clark for sitting on a rooftop with a drunk old pseudo-Christian myth figure while his nemesis was taking one more step into darkness. Rant over. (I realise I’m probably alone on this one but Lex doesn’t deserve his plot squeezed in amongst the tinsel and gingerbread, damn it!)
Rebirth and the relinquishing of power
Each season, Clark and Lex are paralleled in their journeys towards their future personas. These journeys involve recurring twin rebirths, and the Season 5 rebirths are linked to letting go the idea of leading a simple ‘normal’ life. Clark experienced life without powers before his death in Hidden. In Lexmas, Lex gets a taste of a life without Luthor power and wealth. Unlike Clark, he doesn’t experience this in real life, but through a dream vision. Symbolically they are both shot in the chest and their rebirth after this event results in the death of the possibility for simple, untarnished happiness.
For both Clark and Lex, a normal life includes a perfect partner: Lana. On first viewing, I was extremely uncomfortable with Lana being attributed such a key role in pushing Lex into darkness. However, there is part of me that appreciates that she works well as an iconic figure holding out the hope of love and acceptance. Both Clark and Lex view/treat her this way, even though she rebels against both of them in real life.
Lillian and alternate reality
At first Lex reacts to his vision with shock and disbelief. It is Lillian that guides him through it, insisting on its reality and asserting that it can come true if he makes the right choices. Lex sees Lillian in a mirror: she (and the vision that accompanies her) are one reflection of Lex, an alternate Lex to the one he’s developed in his real life. Lillian has been absent most of Lex’s life and the affects of her absence are hard to gauge. Certainly Lionel has gained much control over his son, shaping him in his image. If Lillian is read as a balancing force to Lionel’s parental control, she represents what Lex could have been. While Lex has embraced his current persona, he still has regrets he has to let go of and these surface within the vision.
Freedom
While initially frightened by the vision, Lex gradually relaxes, and finds joy and freedom in this alternate life. At first he seems to think he can find a way out of the vision: when he sees Clark and Chloe he rushes up to them (most obviously to Clark) saying ‘you have no idea how happy I am to see the two of you’. He expects them to return him to his real self. Instead, they play into the vision, with Alexander asking ‘Uncle Clark’ to make him fly. Amazed, Lex learns that Clark and he are close. He quickly moves through astonishment at Clark’s familiarity with his child and when Chloe tells him Clark’s been promoted to reporter, he gazes at him with pride. At every point, disbelief and shock are quickly overpowered by Lex’s heart, which longs for such a reality. He can buy a Christmas tree and admit it’s for himself. Furthermore, he receives external validation from Lana for this un-Luthor-like action.
Lex’s vision world is full of physical affection, which he responds to with bemusement but also delight. Only in a dream sequence is he free to do so, slowly realising that he will not be rejected. Clark welcomes him to the Christmas party with a big smile and hug, Chloe, Martha and even Jonathan embrace him, representing acceptance on a scale I suspect he’s rarely believed possible. Lana tells him that what his father rejects in him is what makes her love him the most and she embraces him tenderly in a way that clearly astonishes and delights him, so far is it from anything he experiences in his real life.
Within Lex’s vision are several threads of long-buried Lexian desires. Jonathan plays a central role in Lex’s vision, presenting Lex with a humanitarian award. He says the words we know Lex has longed to hear: ‘I couldn’t be prouder of you if you were my own son.’ Yet it has been a long time since we have seen Lex display his desire for Jonathan’s approval. He has accepted it as impossible, so when Jonathan announces Lex as ‘the finest man I ever know’, Lex is too disbelieving to even smile properly. He is similarly struck speechless when he learns that he teamed with Chloe to do an expose on Luthorcorp. That too is an echo of a past time, when Chloe stepped forward to testify against Lionel. At that time, the possibility of them working together against the corporation was very real, but it has long passed.
Lex is overwhelmed with emotion and he can only express it to Lillian, telling her ‘I can’t remember ever being this happy’. Lillian tells Lex to follow his heart, not his ambition. In Lex’s vision his emotions override his usual rational self, resulting in unusual displays of emotion and affection, yet he desires it greatly, requesting the secret of how to obtain it from Lillian. As Lex asks Lillian about the crucial decision, Clark calls out to him and he turns away from her. For me this was a chilling sequence, with Lillian vanishing to be replaced by Clark. Clark is also a figure associated with great longing for Lex, but one linked tightly to his driving ambition for control, knowledge and power. In this way, Clark is a dangerous figure, displacing the possibility that Lillian offers for the idyllic normal life.
The life offered in the vision is not the one Lex is working towards: ‘my life hasn’t turned out at all the way I’d planned and yet I’ve never been happier.’ He tells Clark that the strangest piece of the puzzle for him is how he and Lana got together. Clark tells him that he ‘became the kind of man that she could love’. Lex’s love for Lana (if it truly exists) is hard for me to understand, but I do believe that part of him longs to be this type of man: if Lana can love him, he will be rendered ‘acceptable’. Interestingly, Lex immediately assumes that this type of man is someone like Clark, while Clark himself is puzzled by this. Clark tells Lex that he offered Lana something Clark couldn’t. I think this conversation shows that Lex feels both superior and inferior to Clark. However the conversation ends with Lex expressing gratitude that despite these mysteries, they were able to remain friends: without that, his vision would be incomplete.
Heart versus ambition
Lex experiences his most intensely intimate form of love in being present at the birth of his daughter. Shortly after that, with Lana in critical condition, Lex approaches Lionel for help. The intimacy of his new family is contrasted directly with Lionel’s cold dispassion, the same dispassion that Lex is developing himself. Lex finds himself in Clark’s position of approaching a wealthy and powerful figure to ask for help, despite being out of favour. Lionel responds with a level of rejection that not even Lex has reached himself yet, although he is increasingly failing to jump at Clark’s every request.
Lionel tells him that money and power would have saved Lana: ‘don’t you realise that every decision you have made has brought you to this moment’. Lex ends up accepting the truth of his father’s message. While what he may want is to live ‘happily ever after’, he is sure that the path to happiness is money and power. This is not something he learns in his vision: it is something he already accepts as truth. It is his first recourse of action when Lana faces danger and he remains determined on this path despite all logic, since it’s clearly a fallacy that money can conquer death forever.
Lex rages against Lionel for playing god with his life, yet he wants that same power for himself: the power to prevent others from dying. He is megalomaniac in the scope of his ambition. In fact, Lionel makes the same decision that Lex made for him when he was in danger of paralysis: operate at risk. However, they make the decisions for different reasons. Lex chooses what he believes Lionel would want. Lionel chooses for himself, since, as Lex says, he couldn’t bear being the father of a cripple.
Lex’s instinct is to blame Lillian for Lana’s death. He can’t bear the pain of loss and is overpowered by grief resurfacing about the deaths of Julian and Lillian. He shows no signs of processing this pain and rejects her view of this vision as a ‘better life’, dismissing all elements of the vision in one moment of overwhelming emotion. All Lillian can tell him is that this is a life of love. In fact, her message is a powerful one, since Lex’s alternate life is still better than his real one, but Lex focuses only on the pain. In the end his vision only serves to reaffirm everything he has turned from, everything he has fought to conquer, all the emotional weaknesses that he has avoiding indulging. Lillian is still present beside Lex in the reflection at the end of the episode, just as his buried desires and unresolved grief will be carried deep inside him for the rest of his life.
Although Lex’s vision at first seems to be about Lex reaching a new decision, I actually find it more successful at showing us a snapshot of Lex’s internal life and the ways in which he is pushed and pulled between the figures of Lionel, Lillian and Clark to a point where he longs for ultimate control at all costs.
A final note
I found this episode quite difficult to process. I have not read Lex's interest in Lana as being this powerful and I still can't quite accept some of the heavy-handed dialogue in this episode. At this stage in his development, Lex has closed down and locked off from everyone around him and that means as viewers that we are not allowed as much access to his development. This episode demanded more imaginative leaps for me than any other episode. However there was much that I did enjoy about it. I'll be ok! Really I will! Whimper! *pats herself on the back for exercising admirable restraint*
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Date: 2005-12-09 07:46 pm (UTC)no subject
Date: 2005-12-10 04:51 am (UTC)I'd love to hear why you DO read her as a Clark substitute though! :)
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Date: 2005-12-10 02:46 pm (UTC)I agree with you, though, that there are subtle differences between what Clark himself stands for in the dream and what Lana stands for. I just think that in "reality", Lex would find them all embodied in Clark himself.
That's muddled. I'm pregnant! I get license to not make sense!! ;)
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Date: 2005-12-11 12:14 am (UTC)no subject
Date: 2005-12-09 08:38 pm (UTC)no subject
Date: 2005-12-10 04:11 am (UTC)Thanks for the comment!
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Date: 2005-12-09 08:45 pm (UTC)"It's good, Lex is happy, I'm like to see Lex happy."
"OH what the fucking fuck, fuck you Smallville."
I did calm down a little eventually.
Within Lex’s vision are several threads of long-buried Lexian desires.
And this is eventually what made it bearable for me in the end. Ultimatly I see this as despite Lex's claim that ‘my life hasn’t turned out at all the way I’d planned and yet I’ve never been happier' this is what Lex thinks life could be like if he changed his ways. The whole thing was *too* perfect. Since we canonically know that Lois and Clark are together, the idea that they aren't in this, to me, means that he isn't really stepping that far from his subconscious, his natural partner for Clark is Chloe. He is with Lana and she loves and accepts him and Clark is still his best friend. The Lex I know would never give up his quest for answers but some part of Lex knows its one of the bad qualities holding him back in life. One of the ones he'd have to relinquish for his 'better life'. Lionel acts with the same coldness that Lex perceives him to, even though we know from past experiences that Lionel will go to great lenghts for Lex and while Lex may thing that dropping out of the race would be shameful to Lionel, I dont think that the Lionel of now will react quite the same.
He ultimatly though desires the money and the power more, to save the people he loves, yes. Manifested through Lana because in his sphere of experience he doesnt really have any other options right now. And to him and Clark both, Lana is the very essence of normality. Like you said. She is that icon. If Lana can accept you then you've made it. Lana makes people feel normal because she is so ordinary herself. They don't see it as ordinary though, its more perfect because she is everything they want to be. Chloe could never fill that role, even though we the audience can see what a better match she is, because she is special, she has these skills and understanding of how the world works, she makes mistakes and takes great risks. Lana doesnt do any of these things. Her occasional expressions of outrage do nothing to ausage the fact that she is a passive person, being reacted to rather than reacting and by that token is the only one who can *be* that person to Clark/Lex. Someone who will never really challange their dominance and will sit back and quietly accept everything. Someone who will just say "I love you." because that is everything they need her for.
At first I couldnt help but scream at the fact it was all about Lana and really? I still think it was. Lex is going bad because he wouldnt be able to protect the people he loves, that is, Lana. He knows that money and power *destroyed* his mother and Julian.
I'm going to run with the control thing that you said though, because I can buy that and I like it better.
Great essay by the way, *loves you lots*
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Date: 2005-12-09 08:52 pm (UTC)no subject
Date: 2005-12-09 09:13 pm (UTC)But like I say, I can accept the control thing *nods happily*
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Date: 2005-12-10 04:46 am (UTC)However I don't think we need to get bogged down by that because ultimately he rejects the simplistic perfect vision and chooses control.
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Date: 2005-12-10 04:25 am (UTC)Your viewing? Was my viewing: oh what the fucking fuck fuck. And Oh! Happy Lex! *loves* There was a lot of screaming and crying and pausing and screaming and rewatching until the wee small hours... I posted this at 6:15 am my time. :) Actually I'd been very slightly spoiled but it was so much WORSE than what I expected. (Santa included!)
Thank you for your long comment - I liked and agreed with several points you made including the following:
- Lex knows that to have an idyllic life he would have to entirely excise his interest in Clark's secret
- Lionel in Lex's vision is very much skewed by Lex believing he is more callous than he truly is
- that he wants to save people and Lana is the only one his subconscious could really use for this purpose now.
That last point is one I haven't seen anyone else make yet and I think it's really important. The fact is that part of me would have loved it to be Clark that he saved, it would not have worked at this point because Lex has already enterred the Rift with Clark and if his vision had been about saving Clark it would have also had to tackle the problem of Lex's secret. His vision was far too perfect, as you pointed out, to encompass that.
I've had a quick surf around people's posts on this ep and it seems like many people are rejecting the Lana utterly. This seems too close to denial for me: like you, I think it IS about Lana as emblem of desired perfection. Both Clark and Lex long for perfection and in this vision-journey we saw that Lex longs for it so much that he can't bear anything to tarnish his perfect vision. He would rather embrace darkness that absorb grief. So althought Lana (or the projected image of her) is central, I am still going to be more interested in the surrounding context. Lana is a means to an end really.
Thanks so much for writing! You're helping me cope. :)
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Date: 2005-12-10 06:49 am (UTC)What episode?
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Date: 2005-12-10 08:56 am (UTC)no subject
Date: 2005-12-10 09:11 am (UTC)I decided to just blanketly ignore the santa thing. I love that Chloe/Clark is getting more cute though and I *love* that he keeps having to go away from Lana to something only he can do.
I can only hope that the eventual Clana breakup (which I assume will happen) will be based on this although I long ago realised that organic story growth wasnt a strong point of the SV team (*points to season 4*).
Oh and guess what! I'm all unspoiled from now! *bounces*
no subject
Date: 2005-12-11 12:17 am (UTC)I found the moment where Chloe rings Clark and Lana knows it will be her and says 'tell her happy christmas' really really major. And, yes, I loved that he left Lana to do something for Chloe and something linked to his future identity - it's great that she'll really be at his side as Superman.
I'm unspoiled too!! Wheeee!! (and I think the Clana breakup when it comes will be very interesting)
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Date: 2005-12-09 11:40 pm (UTC)Yes, I agree--I actually am not completely certain we are supposed to accept the vision as a true vision at all; it could equally all be Lex's subconscious, manufacturing Lillian as well as all the other elements, in which case it is a good case study in what he longs for and how he doesn't really believe these longings can be realized.
*That's* how I read Lana's death: not that Lex has "always loved" Lana, but that he's always longed for love and always lost it, or been betrayed, or both, and so what he was truly grieving for was not actually Lana, but losing the possibility of human connection. I think that's what makes that scene with his father more poignant: he knows he can't appeal to Lionel's love, but he thinks the human connection (mother of your grandchildren) may be effective, but ultimately it is not, which just reinforces Lex's idea that love is ultimately powerless against loss.
Lex's instinct is to blame Lillian for Lana's death. He can't bear the pain of loss...and rejects her view of this vision as a better life.
Assuming Lillian is real, and not a figment of Lex's imagination, isn't the fact that Lillian actually killed Julian a factor in Lex's interpretation here? (Have you been following the interesting conversations about this over at
I really liked your discussion of the parallels between Clark and Lex's development in this episode I had noticed Lex becoming a suppliant to his dad just as Clark always comes to him, and thought it was foreshadowing. (It can't be foreshadowing Lana's death, alas, but I think it might be foreshadowing someone else's--maybe Jonathan's? Maybe Jonathan will have another heart attack and Lex will refuse the medical aid he has always offered before, perhaps because the election has turned to mudslinging?)
I also really liked the way you've traced the emotional journey Lex undergoes in this episode (even though my initial reading of Lex's responses was very different, I think you have persuaded me).
no subject
Date: 2005-12-10 04:36 am (UTC)I agree that he was not grieving just Lana. In fact, the more I think about it, what made Lex emotionally connect with his vision (once he got over initial shock) was not Lana but acceptance generally and also his children. I think something in him deeply longed for the possibility of being able to give birth to something new and pure. In his current life that possibility is extremely remote - and it is linked to the true human connection that you refer to. I think the scene with Lionel is one of the most fascinating because he DOES think he can appeal to Lionel with this argument. Yet we have already been shown that Lex despairs of Lionel ever acknowledging the power of family. This is tragic because in his own sick way Lionel is deeply attached to Lex - in fact their 'human connection' has done him more harm than good.
I want to think further about Lillian in this episode - there are a few loose ends I need to resolve, so I'll definitely check out the other discussions.
I also wondered what was being foreshadowed in the ep and I am still betting on Jonathan's death, so I think your theory could work.
no subject
Date: 2005-12-10 05:52 pm (UTC)I've been reading your comments to other folks' responses, and I do agree with you that a lot of us are dismissing Lana too quickly. She's a symbol, but not *just* a symbol--and I do think Lex has powerful feelings for her. She's the only character that has not,in a sense, betrayed him somehow, and she represents love and family and an alternate life--not just symbolically but in actuality. I just don't think he's *always* been in love with her, except in the sense that he's always longed for love.
I do wonder, though, if he would have been *truly* happy in that alternate world if he could have stayed there for more than a day. Just like I think Clark, in the long run, would not have been truly happy without his powers--even though he enjoyed the intimacy being human gave him with Lana--because his powers are part of who he is, in the same way Lex's ambition and drive are part of who *he* is. I think if he had gotten a year, rather than a day, in his alternate world, he would have felt trapped, or at least stifled, even though I agree with you that he wants children and that sort of connection.
And I *really* don't think he'd ever be happy having lost to Lionel. It's funny, because in my head I am always thinking up scenarios where Lex overcomes his destiny by just *walking away* from his dad--becoming a doctor or a lawyer or just leaving Metropolis, and having a happy life--but seeing this episode made me realize in a concrete way how important it is to Lex not to lose to his father. Sure, at one point if he could have had his father's love he would have preferred that, but since that's not possible he needs to win.
no subject
Date: 2005-12-11 12:27 am (UTC)Yes - thanks for agreeing about Lana. I cannot believe he's always loved her but he is strongly attracted to her and everything she represents in his (real) life and to ignore that is reductive. However I also think Lex is self-aware about his attraction to Lana, not in his vision (where he was helpless to his emotional subconscious) but in real life. He loves her but he knows he can't really have her, especially given the choices he makes.
I absolutely agree that Lex would not have been happy in his alternate life for more than one day (and a remarkable one at that). There are a lot of signs that the vision is limited, not least of which the fact we are not shown what job he has! Lex's own mind can't encompass being anything but CEO. It shows him as a father, but baulks at any other career - can you imagine him subordinate to anyone but Lionel??
And, yes, he desperately needs to win. He's given up on love, has accepted he will never win it from Lionel or Clark or anyone else, and his vision proved to him that loving others is disempowering and painful. To me this reads very much as Lex proving to himself that what he already believes is true: he's essentially reaffirming his decisions and why he's making them.
Thanks again for the dialogue - it's great to see so many people responding and discussing the episode.
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Date: 2005-12-11 09:05 pm (UTC)And I'm really enjoying the discussions too!
no subject
Date: 2005-12-10 03:02 am (UTC)As for Lex, my heart has completely broken for him. We were given a glimpse of another Lex...the one which Lex fans are so desperately pulling for; however in the end, we receive the reasons for this happy, light-hearted Lex to never exist in Smallville *reality*. The reasons are many and each of them are very significant, as well as brilliantly played out within this series. I felt completely stripped bare at the end of this episode. To see Lex standing at the hospital window, overlooking the snow covered night sky after having made his very chilling decision to become the man his father has pressured him to become...and then to see the image of his mother as she gradually disappears, succumbing from failure to help her beloved son chose the right path. Visually, this tragedy could not have been portrayed more brilliantly. But, sometimes Smallville gets it SO right, that I am left shattered; which is how I still feel one day later after Lexmas.
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Date: 2005-12-10 04:41 am (UTC)I, like you, admit to being truly heartbroken by this episode. The scene with the snow outside the hospital window was heart-wrenching and worked so wonderfully. Did Lillian fade away?? My torrent didn't show that - it just cut off. What a massive part I missed out on! That makes it way more emotionally powerful. I am so shattered I can barely string sentences together as you probably noticed! I'm in a state of extreme emotional turmoil and I have a feeling it's going to take some time to work through it... Oh Smallville, why have you taken possession of my soul in this way?!
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Date: 2005-12-10 09:45 pm (UTC)The image in my icon, frankly. 'Cause see, it's not just the awesome powers, or the fact that he saves lives on a daily basis that makes Superman the greatest superhero of them all. It's that he's a symbol of *hope*. He believes in the best of the world, and the best of the people in it, and he inspires that idea in others. In Superman I, movie!Jor-El at one point tells Kal-El his rationale for sending him to Earth:
They can be a great people, Kal-El, they wish to be. They only lack the light to show the way. For this reason, above all -- their capacity for good -- I have sent them you, my only son.
By taking another symbol of Goodness and Light -- Santa Claus -- and having him be dispirited enough to question whether there's any worth in doing what *he* does for the world, but then, through his interaction with and observance of the Boy Who Would Be Superman at a moment that marks him at *his* best, the show not only reminds Santa why what *he* does matters, but also underscores the idea of Superman as a shining beacon of hope. Superman is, in his essence, *just that good* -- he even reminds Santa why spreading joy and good cheer *does* make a difference; he even gives *Santa* hope when Santa believes hope is lost.
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Date: 2005-12-11 03:51 am (UTC)If Clark had spread good cheer to a department store Santa, distressed at the ungrateful children it wouldn't have detracted from the idea that Clark can save people with words, that he is this beacon for hope.
The idea that Santa is in despair of us and only Superman can put him back on the right path completely boggles my mind. It's Clark's connection with humanity that interests me, not his interaction with other pure good mythological figures.
It didn't *need* to be the real Santa and the fact that it was took away from the message rather than adding to it.
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Date: 2005-12-11 06:29 am (UTC)Also, I can't help but point out that we don't know that was *really* Santa. For all we know, it could have been another meteor mutant with powers similar to Clark's who makes extra money at the holidays by dressing up as Santa Claus. Plenty of stories in pop culture have featured the depressed, drinking department store Santa. Just because Chloe floats the possibility that it might really be Santa doesn't automatically mean it really *is* Santa. Given her WoW leanings, Chloe's the one character on the show most likely to think the possibility exists, but it doesn't automatically mean she's *right* about it.
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Date: 2005-12-10 09:50 pm (UTC)Yeah, the final image of the episode is Lex standing looking out the window, the camera pulls back and we see Lillian's reflection in the window next to him. But where he is solid and real, she's insubstantial, ghost-like. And she slowly fades away until Lex is left alone with his decision and his fate.
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Date: 2005-12-11 12:28 am (UTC)no subject
Date: 2005-12-11 11:42 pm (UTC)and btw.. I love your meta :) very in-depth. I can never be this coherent!
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Date: 2005-12-12 12:54 am (UTC)no subject
Date: 2005-12-10 10:04 pm (UTC)http://www.livejournal.com/users/ckll/
to see the final ending :)
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Date: 2005-12-11 12:29 am (UTC)no subject
Date: 2005-12-10 03:50 am (UTC)no subject
Date: 2005-12-10 04:42 am (UTC)no subject
Date: 2005-12-12 11:30 am (UTC)I don't know if you answered this... I read your post before I watched the ep... I had deep misgivings about watching this ep at all. But this alternate future thing is it a dream/hallucination or is it the future that he would have had? Because I still can't decide. Because if it follows the same train of thought as A Christmas Carol or It's A Wonderful Life then it would be the future that could have been. And it appears that if Lex hadn't gone bad that Clark wouldn't have been Superman and maybe he'd never be with Lois (perish the thought).
My main problem in this ep was the lack of Lois (that and just Lana being a stepford wife). One little mention, maybe by Chloe saying... look what Lois got me or that Lois is spending Christmas wherever.
So is it a dream??? or is it the future that never was??
xxx
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Date: 2005-12-12 11:54 am (UTC)In answer to your question, I feel strongly that it was a dream/hallucination, rather than an actual future. I've read a lot of other commentary on the ep this week and it seems like this is the conclusion most people are reaching. There are many clues that it's not a true future because some things don't make sense in the vision unless you think of it from Lex's (limited) point of view. Among these reasons are:
- Clark is not Superman and there is no Lois (because Lex doesn't know this is the true future)
- if Jonathan really thought that highly of Lex and was a senator in the future, then Lex could have gone to him for help, not Lionel (but Lex can't ever imaging getting emotional support from Lionel)
- Lex isn't actually shown to have a job (probably because he can't really imagine doing anything but being CEO)
- Lex's vision is triggered by things in real life - he remembers Lillian when he takes off her watch, when the surgeon says 'we're losing him', he goes to the part of his vision where he loses Lana
- the vision is too simplistic and idealistic (e.g. apparently Lex overspends, but this is just a joke between him and Lana - in real life it would be a real issue)
We're not shown any alternate futures (or pasts) either so I don't think it follows The Christmas Carol model.
It's the future Lex thinks he wants and also concludes he can't have - but I think the entire vision shows the limitations of his point of view. If he was really loved and respected by all those people, he wouldn't have been alone when Lana died - he would have had other people to turn to. It's all about his desires and fears ...
well, that's what I think anyway :)
And, yeah, I missed Lois too. I understand why she wasn't in Lex's vision but grr... she could have been there with Chloe and Clark or something. Can't believe we have to wait until end of Jan for more! :(
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Date: 2005-12-13 05:45 am (UTC)I've got to say though that I hated this episode. Despised it in a way that I didn't even despise Spell.
...I'll be back later, definitely to babble about Lillian and the non-love I feel for her.
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Date: 2005-12-13 08:38 am (UTC)I understand where that comes from. And as you saw above, I had a lot of issues with the ep myself. But there's been great discussions all over LJ on this ep (hilarious that it took *this* ep to prompt them) so I'm kind of finding the good amid the pain...
Good luck with the calming! Have a strong drink. You know Lex would!
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Date: 2005-12-13 08:40 am (UTC)no subject
Date: 2006-01-28 07:53 pm (UTC)no subject
Date: 2006-01-29 11:13 am (UTC)no subject
Date: 2006-01-29 12:55 pm (UTC)