Oh, darn, I was counting on you to make thematic sense of the whole "Chloe getting married in Clark's barn" thing. (I was actually thinking, between this and the Clark-giving-Chloe-away thing, plus his rather paternalistic decision last week to take away her memories of his secret, that maybe symbolic this is a shift from being her friend to being her parent? Or some weird thing like that. You were the one with the Clark-as-Lex's-mom theory, I was hoping you'd have a brilliant one here. Because I agree with you: that whole bit was DEEPLY DEEPLY WEIRD.
I think I liked the Clois bits more than you did, though, because I think Jimmy actually was right and Clark *is* feeling more than he would admit to himself. I thought the chemistry in that dance scene was palpable, and he's the one who initiated the dance. And they were both leaning in for that kiss, not just Lois. (I guess I'm just more sanguine about this romance than you because I know it is going to eventually end happily.)
I agree with you about the mysteriousness of the Lana plot--what on earth is she up to?--but I'm just planning to enjoy her for three more episodes, because I didn't realize exactly how much I was missing her until I saw her again.
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I think I liked the Clois bits more than you did, though, because I think Jimmy actually was right and Clark *is* feeling more than he would admit to himself. I thought the chemistry in that dance scene was palpable, and he's the one who initiated the dance. And they were both leaning in for that kiss, not just Lois. (I guess I'm just more sanguine about this romance than you because I know it is going to eventually end happily.)
I agree with you about the mysteriousness of the Lana plot--what on earth is she up to?--but I'm just planning to enjoy her for three more episodes, because I didn't realize exactly how much I was missing her until I saw her again.